The ‘garden’ at Mdina Ditch officially inaugurated
Alfred E. Baldacchino
Thursday, 7th March, 2013.
So the ‘open space’ in the Mdina ditch, or the ‘garden’ from where close to 300 trees, mainly citrus trees, olive trees, and cypress trees were uprooted and carted away, was finally officially opened by the Prime Minister on Wednesday 6 March, 2013. According to The Times of 6 March, 2013 “None of the trees have been lost but they have been rearranged so as to help one get a better understanding of the bastions “. Honestly, I pity the Prime Minster for being pushed in the front line for such official openings, as if to shoulder the responsibility of the decisions taken by his subordinates. But anyhow, it is his decision.
On Wednesday morning I visited the Mdina ditch to see this seventh wonder of an ‘open space’ in a ditch, or this ‘garden’. I must say that the restored bastions look superb after years of neglect, though I still cannot understand how the decimated trees in the ditch or the ivy covering the Howard Garden wall, in any way interfered with their majesty. The bastions are as exposed as they were before, though restored, and still showing the majesty they showed before.
I walked in Howard Gardens along the ditch. The expanse of concrete today make up more than half this ‘garden’ or ‘open space’; the rest is taken by turf. The citrus trees which were uprooted and replanted were all leafless. Those which had any leaves were those which were not uprooted and left in place. Not only were the replaced citrus trees leafless, but some had also given up the ghost, and were replaced by imported Laurel or Bay Trees. I could count up to 30 of these.
Wonder of wonders in this new ‘garden’ were a number of potted Laurel trees. So while established protected trees such as an 80-year-old protected olive tree were uprooted and carted away, it was found necessary to introduce imported Laurel trees in pots in this ‘garden’!
Reminiscing the natural habitat in the ditch before such destruction, I walked along the railings overlooking the ditch with heavy feet as I contemplated the ecological destruction beneath. I could not reconcile the expanse of turf with the historical bastions. I thought about the cost of such imported turf. I also tried to figure the commercial cost of the rare resource of water needed to water such an area of turf. Along my walk, the path was full of ministry vehicles, engines, and a generator, including all the electrical and electronic paraphernalia both attached to the railing and also in the ditch. I tried to convince myself that I was not walking back in history when Malta was celebrating the granting of independence with such a fanfare. I tried to imagine the cost involved in such ‘celebrations’. I tried to see how one could get some information on such waste of public money and also EU funds.
I finally arrived at the other end of the ditch near Saqqajja. And wow… wow… what a cherry on the cake. In the ditch beneath the playing fields I saw a large black cuboid. I first thought it was some electronic equipment covered in black plastic for protection to be used for the evening celebrations. But as I looked closer, I realised it was a black marble plaque which easily dwarfed the citrus trees in the vicinity, those “which have been rearranged so as to help one get a better understanding of the bastions.”
I focused my camera lens on the writing on this plaque. On one face it read: “Il-proġett sar mid-Direttorat tar-Restawr tal-Ministeru għar-Riżorsi u l-Affarijiet Rurali taħt id-direzzjoni tal-Onor. George Pullicino”. (This project was undertaken by the Restoration Directorate of the Ministry of Resources and Rural Affairs under the direction of the Hon. George Pullicino). I moved on and focused on the other façade of the cuboid where there was another inscription which read: “Dan il-ġnien fil-Foss tal-Imdina jgħaqqad il-passaġġ tal-istorja ta’ pajjiżna mal-preżent u l-futur” (This garden in the Mdina Ditch connects the passage of history of our country with the present and the future). The writing on the plague finally declares this project as a garden. Such a plague is more of a tomb stone clearly showing how the future will look at the present which has placed the past in such an artificial environment. The number of concrete passages will make it relatively easy to arrive at such a conclusion. And the good thing about it is that it is autographed by the director of such a project.
I invite all to go and have a look at it. A photo near the tomb stone would be quite historic in the future.
This justifies my previous writings on this project (see links below). It lacks any ecological vision for any garden. Its main aim was just commercially orientated.
FURTHER READING and photos